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	<title>Naxi - Dongba, conferences &#187; Naxi</title>
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	<link>http://www.xiulong.it/Dongba/conferences</link>
	<description>Conferences and Congress about Naxi people and Dongba tradition</description>
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		<title>CL.A.U.D.I.A.: Computational and Updatable Dongbas Iconographic Archive</title>
		<link>http://www.xiulong.it/Dongba/conferences/new-horizons-in-naxi-study/cl-a-u-d-i-a-computational-and-updatable-dongbas-iconographic-archive/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/new-horizons-in-naxi-study/cl-a-u-d-i-a-computational-and-updatable-dongbas-iconographic-archive/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 16:55:15 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[Anthropological]]></category>
		<category><![CDATA[CLAUDIA]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[Ethnological Sciences]]></category>
		<category><![CDATA[International Congress]]></category>
		<category><![CDATA[Kunming]]></category>
		<category><![CDATA[Naxi]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?page_id=531</guid>
		<description><![CDATA[Meeting CLAUDIA
This is a draft 1.2 release of CL.A.U.D.I.A., acronym for Computational and Updatable          Dongba Iconographic Archives.
CL.A.U.D.I.A. is an interdisciplinary project of Human Technology application focused      about Dongba pictographic writing system of Naxi people of South-West China,     [...]]]></description>
			<content:encoded><![CDATA[<h2>Meeting CLAUDIA</h2>
<p>This is a draft 1.2 release of CL.A.U.D.I.A., acronym for Computational and Updatable          Dongba Iconographic Archives.</p>
<p>CL.A.U.D.I.A. is an interdisciplinary project of Human Technology application focused      about Dongba pictographic writing system of Naxi people of South-West China,      implemented and uploaded on Web for an on-fly demo (1.0) during <a href="https://www.icaes2008.org/defaultDo.jsp" target="_blank">Kunming&#8217;s 16th International      Congress of Anthropological and Ethnological Sciences (29 &#8211; 31 July)</a>.</p>
<p>This is just a short introduction page to CL.A.U.D.I.A.; for more details and starting browsing iconographic index plates <a href="http://www.xiulong.it/4.0/Dongba/CLAUDIA/indexplates.php">please visit dedicated page</a>.</p>
<p>I wish to underline importance of Updatable features of CL.A.U.D.I.A. system &#8211; which      I feel is needed &#8211; because of continuous evolution of academic      scores in studying Dongba and Geba writing systems and Naxi culture&#8230;and myself.</p>
<p>On Your left side, You can see the two main resources of Claudia: Index Plates      of Dongba Pictographs and dictionary.</p>
<p>Index plates consist in a tree of family and sub-family of pictographs stored      and gathered by ICONOGRAPHIC features. Please <a href="http://www.xiulong.it/4.0/Dongba/CLAUDIA/indexplates.php">visit      dedicated page for correct usage</a>. Each plates of pictographs are implemented      as index archives of pictograph, labelled by capital key-letter for Family      and minus keyletter for sub-Family of pictographs, then each elements has      its own identification number.</p>
<p>CL.A.U.D.I.A.&#8217;s dictionary is then implemented with 3 main resources:</p>
<ol>
<li>At first, from top, a fast free-keywords search-engine is realized, to lunch      specific and fast interrogation query on pictograph database. Please, note      that EACH QUERY WILL GENERATE 2 MAIN FILEDS OF DATA RETRIEVING: on the top      a DIRECT MATCHING SCORE, with the output of the whole pictograph directly      matched in its translation to the keyword of research; down an INDIRECT MATCHING      SCORE, constituted by the group of pictographs retrieved because of their      indirect matching &#8211; but existing relation &#8211; with the keywords of the query      lounched. Such Information Retrieval System is yet implementing.</li>
<li>English &#8211; Dongba dictionary by keywords. Keyword queries will generate direct and indirect matching pictograph retrieving.</li>
<li>Naxi pinyin sillables search form: by clicking of Naxi syllable  CL.A.U.D.I.A.s. will retrieve pictographs which latinization contains  searched syllable as initial or inside thw whole pinyin transcription.  Syllable ortography specify IPA phonetic equivalences.</li>
</ol>
<p>Dictionary page is better introduced here in <a href="http://www.xiulong.it/4.0/Dongba/CLAUDIA/key.php">English      &lt;&#8211;&gt; Dongba cidian page</a>.</p>
<p>I am implementing such resource under PHP &lt;&#8211;&gt; MySql couple, that&#8217;s because      I feel MySql as the best database instrument I know for building digitals      archives and structured databases as Dongba pictographs corpus, and PHP as      the dearest and the most flexible instrument to me for managing and generating      intelligent and dynamic queries targeting Dongba pictographic writing system      significants corpus stored in MySql database; some hidden fields of database      should work as Ontology for hierarchy relationship between family, subfamily      and single pictographs.</p>
<p style="text-align: center;"><em><img id="middle" src="../../../4.0/xiulongyin-little.jpg" alt="" /></em></p>
<h5 style="text-align: center;"><em>Xiulong</em></h5>
<p class="facebook"><a href="http://www.facebook.com/share.php?u=http://www.xiulong.it/Dongba/conferences/new-horizons-in-naxi-study/cl-a-u-d-i-a-computational-and-updatable-dongbas-iconographic-archive/" target="_blank"><img src="http://www.xiulong.it/Dongba/conferences/wp-content/plugins/add-to-facebook-plugin/facebook_share_icon.gif" alt="Share on Facebook" title="Share on Facebook" /></a><a href="http://www.facebook.com/share.php?u=http://www.xiulong.it/Dongba/conferences/new-horizons-in-naxi-study/cl-a-u-d-i-a-computational-and-updatable-dongbas-iconographic-archive/" target="_blank" title="Share on Facebook">Share on Facebook</a></p><div style="text-align:left; margin: 0px 0px 0px 0px;" class="pfButton"><a href="http://www.xiulong.it/Dongba/conferences/new-horizons-in-naxi-study/cl-a-u-d-i-a-computational-and-updatable-dongbas-iconographic-archive/?pfstyle=wp"><img class="printfriendly" src="http://cdn.printfriendly.com/pf-button.gif" alt="PrintFriendly" /></a></div>]]></content:encoded>
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		</item>
		<item>
		<title>Créatures mythiques animales dans les manuscrits naxis</title>
		<link>http://www.xiulong.it/Dongba/conferences/2010/07/22/creatures-mythiques-animales-dans-les-manuscrits-naxis/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/2010/07/22/creatures-mythiques-animales-dans-les-manuscrits-naxis/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 23:04:06 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Arras 2010]]></category>
		<category><![CDATA[Créatures mythiques animales dans les manuscrits naxis]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[Les signes d’animaux et de créatures mythiques en Orient et en Occident]]></category>
		<category><![CDATA[Naxi]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?p=516</guid>
		<description><![CDATA[ Stefano Zamblera &#8211; Xiulong
presents
Créatures mythiques animales dans les manuscrits naxis
Complete study made for Arras Congress: &#8220;Les signes d’animaux et de créatures mythiques en Orient et en Occident&#8220;









This is the complete work I&#8217;ve made and written for Arras 2010 congress, focused on the signs dedicated to mythical animals in Naxi &#8211; Dongba tradition.
According to the  [...]]]></description>
			<content:encoded><![CDATA[<h5 style="text-align: center;"><a href="http://www.xiulong.it/Dongba/conferences/wp-content/uploads/2010/07/Xiulong-Whitebg-seal.jpg"><img class="aligncenter size-full wp-image-346" title="Xiulong-Whitebg-seal" src="http://www.xiulong.it/Dongba/conferences/wp-content/uploads/2010/07/Xiulong-Whitebg-seal.jpg" alt="" width="34" height="35" /></a> <em>Stefano Zamblera</em> &#8211; <strong><em>Xiulong</em></strong></h5>
<p style="text-align: center;">presents</p>
<p style="text-align: center;"><strong>Créatures mythiques animales dans les manuscrits naxis</strong></p>
<p style="text-align: center;">Complete study made for Arras Congress: &#8220;<em>Les signes d’animaux et de créatures mythiques en Orient et en Occident</em>&#8220;</p>
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<div class="WordSection1">This is the complete work I&#8217;ve made and written for Arras 2010 congress, focused on the signs dedicated to mythical animals in Naxi &#8211; Dongba tradition.</div>
<div class="WordSection1">According to the  &#8220;recommandation aux auteurs&#8221;  edited for &#8220;Arras Publication du Colloque&#8221;  the paper I wrote in English, from which I derived the slides of the presentation of the the congress presented by Mademoiselle Laura Benedikter was too much longer:  1650.00 characters against the edge of 35.000 permitted by the recommandation. Moreover a French traduction is required for the final pubblication of the acts of the congress, thus for the latter &#8211; thanks to Nathalie Beaux -  a complete revision and edition of the written studies of the topics is required.</div>
<div class="WordSection1">I truly believe that all the material I&#8217;ve written should be helpful to be published here, avoiding dipsersion of data, expecially for the concordances and attestations I&#8217;ve realized about the animal-deities signs into Naxi Dongba manuscripts, and the cross references among Naxi &#8211; Dongba cultural elements and Tibetan/Indian/Chinese ones.</div>
<div class="WordSection1">
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US"><span style="mso-tab-count: 1;"> </span>My study of texts of manuscripts, iconographies, detailed analisys of signs of animals associated to supernatural entities evinced:</span></p>
<p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph; text-indent: -18.0pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;"><!--[if !supportLists]--><span style="font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><strong><span lang="EN-US">Ssù – serpent cult</span></strong><span lang="EN-US">. Based of the veneration of the serpent-tailed and human-body spirits, a life-god entity. Propitiated for granting prosperity and fertility, closely associated to rain and water, able to provoke terrible misfortunes if got hungry with humans. In this study it&#8217;s directly related to the traditions of <em>kLu</em> in Tibet,<span style="mso-spacerun: yes;"> </span><em>Nāga</em><br />
in India and <em>Long</em> in China</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph; text-indent: -18.0pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;"><!--[if !supportLists]--><span style="font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><strong><span lang="EN-US">Bird-god cult</span></strong><span lang="EN-US">. Bird deities are powerful, strong, able to suppress the serpents-spirits and devour them. Able to spell charms, allied to <em>Shilo </em>the founder of Dongba tradition. In this study the bird-gods of Naxi – Dongba pantheon are associated to mythologies of <em>Khyung</em>-<em>chen</em> of Tibet and <em>Garuda</em> of India.</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-justify: inter-ideograph; text-indent: -18.0pt; mso-list: l0 level1 lfo1; tab-stops: list 36.0pt;"><!--[if !supportLists]--><span style="font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><strong><span lang="EN-US">Serpent vs. Eagle fight myth</span></strong><span lang="EN-US">, here directly related to the mythologies of kLu versus Khyung-chen of Tibet and Naga versus Garuda of India</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">As emerged from manuscripts and according to Naxi tradition, I mean the central figure of <em>Dongba</em> <em>Shilo</em> not just as the founder of Dongba religion, but as directly related to the Enlightened Buddha <em>sTompa gShen-rab</em> of<span style="mso-spacerun: yes;"> </span>Bön tradition.</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph; page-break-before: always;"><strong><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">Methodology of research</span></strong></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">According to the theme of the </span><span style="mso-fareast-font-family: &amp;amp;amp; mso-ansi-language: FR;" lang="FR">colloque</span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">, the methodology of study I adopted mostly consisted in the research of signs from documents, as the signs are pictographs which were made of an animal-based graphic unit, directly relate to deities. Once they&#8217;ve been found the study of the functions of signs ad of the context was the way followed:<span style="mso-spacerun: yes;"> </span>identification of readings and meanings associated to pertinent signs, alias the research of the signs&#8217; phonetic and semantic values, the identification and the interpretation of iconographic motifs associated to the pertinent sign. </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">Then I studied the context, which here is meant as the study of the signs surrounding the pertinent one in an adjacent part of text (mostly the rubric containing the pertinent pictograph), as the research of eventual relationship with surrounding signs in adjacent parts of text for the identification of eventual association patterns among signs,.</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">Once sign was identified as pertinent, alias study of the sign and its contexts evinced that by this significant a deity was meant, then a deeper analysis I started, focused on the detailed study of the iconography represented by the sign and its variants, the reconstruction of iconologies, also with the help of cross-studies focused on related (but non necessary Naxi) cultural, iconographic and iconologic elements; this methodology permitted to the author some integrations with non Naxi – Dongba directly related documentation, as Indian, Tibetan and Chinese.</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">First stage of my study, which consisted in the identification of pertinent signs, was performed by<span style="mso-spacerun: yes;"> </span>the analysis of available sources which contains attestations of pictographs with an animal-based graphic unit. Nature of available sources evinced the possibility of making use of two kind of attestations: direct and indirect attestations.</span></p>
<ul>
<li><!--[if !supportLists]--><span style="font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="text-decoration: underline;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">Direct attestations</span></span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">: are those performed directly from documents belonging to Naxi – Dongba pictographic tradition: manuscripts, </span><span lang="EN-US">scrolls, wall-paintings, </span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">handcrafts and sculptures. Some hundreds of documents are available online thanks to Harvard Yenching web resources, which consist in a selection from their collection of 598 manuscripts. By this web resource is possible to perform direct analysis over Dongba manuscripts, avoiding the difficulties in retrieving of documents.<a style="mso-footnote-id: ftn1;" name="_ftnref1" href="#_ftn1"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[1]</span></span></span></span></a></span></li>
<li><span style="font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="text-decoration: underline;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">Indirect attestations</span></span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">: are those made and evinced from documents which not belong to Naxi – Dongba tradition, but directly or indirectly d</span><span lang="EN-US">edicated or related to Naxi culture and Dongba, in particular dictionaries, Naxi mythology and Dongba culture </span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">dedicated studies.<a style="mso-footnote-id: ftn2;" name="_ftnref2" href="#_ftn2"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[2]</span></span></span></span></a></span></li>
</ul>
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<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US">By this two ways of attestation, the signs I identified as pertinent, alias signs associated and identified as a deity, I then recorded in a concordances&#8217; system, with manuscripts&#8217; page, rubric, reading and meaning. </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span lang="EN-US"><span style="mso-tab-count: 1;"> </span>As introduced upper, further analysis of surrounding contexts I performed for identification of possible association of signs: sources evinced a number of not casual association, here meant as recurring pattern, with peculiar reading and </span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">meaning, pertinent inside the context of animal-deities belonging to Naxi – Dongba Pantheon.</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"><span style="mso-tab-count: 1;"> </span>Such group of pertinent signs evinced by sources from direct and indirect attestations, </span><span style="mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">on a corpus of<span style="mso-spacerun: yes;"> </span>78 manuscripts,</span><a style="mso-footnote-id: ftn3;" name="_ftnref3" href="#_ftn3"><span class="MsoFootnoteReference"><span style="mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT;" lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[3] </span></span></span></span></span></a><span style="mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">according to contexts and to dedicated bibliography, scored 1242 attestations of signs of animals associated to 2 main groups of iconographies of deities:</span></p>
<p class="Testopreformattato" style="margin-left: 54.0pt; text-indent: -18.0pt; mso-list: l2 level2 lfo3; tab-stops: list 54.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: OpenSymbol; mso-fareast-font-family: OpenSymbol; mso-bidi-font-family: OpenSymbol; mso-bidi-language: #00FF;" lang="EN-US"><span style="mso-list: Ignore;">◦</span></span><strong><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">reptile – gods iconography</span></strong><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">,<br />
with 513 attestations</span></p>
<p class="Testopreformattato" style="margin-left: 54.0pt; text-indent: -18.0pt; mso-list: l2 level2 lfo3; tab-stops: list 54.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: OpenSymbol; mso-fareast-font-family: OpenSymbol; mso-bidi-font-family: OpenSymbol; mso-bidi-language: #00FF;" lang="EN-US"><span style="mso-list: Ignore;">◦</span></span><strong><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">bird – gods iconography</span></strong><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">,<br />
with </span><span style="font-size: 12.0pt; mso-bidi-language: #00FF;" lang="EN-US">729 attestations</span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="Testopreformattato"><span lang="EN-US">Analysis of context which the pertinent signs belong to, evinced to me  a very complex pantheon of gods with many subgroups of deities, both in reptile and bird forms: reptile and bird iconographies thus here I meant as two main classes of gods, as from contexts they appear to be antagonist, while inside bird and reptile group of deities the different form of spirits are often in close interaction, share a common origin, and acts in strong influence and interaction with/against humans.</span><!--[if gte vml 1]><o:wrapblock><v:shapetype   id="_x0000_t75" coordsize="21600,21600" o:spt="75" o:preferrelative="t"   path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"><br />
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<![endif]><![endif]--><!--[if !vml]--><!--[endif]--><!--[if gte vml 1]></o:wrapblock><![endif]--><br style="mso-ignore: vglayout;" /></p>
<p class="Testopreformattato"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image002.gif" alt="" width="407" height="134" /></p>
<p class="Testopreformattato"><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US"><span style="mso-tab-count: 1;"> </span></span></p>
<p class="Testopreformattato"><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">The <strong>reptile – deities iconographies</strong> was thus characterized of </span><span style="font-size: 12.0pt;" lang="EN-US">different and distinguished kind of supernatural entities:</span></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l3 level1 lfo4; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image004.jpg" alt="" width="54" height="63" /><!--[endif]--></span><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">serpent-tailed, human headed with trilobate crown, associated to many readings:  <em>Ssù</em>, <em>Llü</em>-<em>mun</em>, <em>Ssaw</em>-<em>ndaw </em>and/or mute sign</span></span></p>
<p class="Testopreformattato"><span style="font-size: 6.0pt;" lang="EN-US"> </span></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l3 level1 lfo4; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol; mso-bidi-font-style: italic;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image006.jpg" alt="" width="48" height="67" /><!--[endif]--></span><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">dragon iconography, associated to the reading <em>Lu</em></span></span></p>
<p class="Testopreformattato"><span style="font-size: 6.0pt;" lang="EN-US"> </span></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l3 level1 lfo4; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol; mso-bidi-language: #00FF; mso-bidi-font-style: italic;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image008.jpg" alt="" width="79" height="38" /><!--[endif]--></span><span style="font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">serpent iconography, </span></span><span style="font-size: 12.0pt; mso-bidi-language: #00FF;" lang="EN-US">associated to the reading <em>Shi-zi</em></span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">The <strong>bird – deities iconographies</strong> also contains at least </span><span style="mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">3 different gods:</span></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l4 level1 lfo5; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol; mso-bidi-font-style: italic;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image010.jpg" alt="" /><!--[endif]--></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">iconography, associated to the reading </span></span><em><span style="font-size: 12.0pt;" lang="EN-US">Khyu</span></em><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US">-</span><em><span style="font-size: 12.0pt;" lang="EN-US">t&#8217;khyu</span></em></p>
<p class="Testopreformattato"><em><span style="font-size: 6.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US"> </span></em></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l4 level1 lfo5; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol; mso-bidi-language: #00FF; mso-bidi-font-style: italic;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image012.jpg" alt="" /><!--[endif]--></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">iconography, associated to the reading <em>Dter</em>-<em>gko</em></span></span></p>
<p class="Testopreformattato"><em><span style="font-size: 6.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;" lang="EN-US"> </span></em></p>
<p class="Testopreformattato" style="margin-left: 72.0pt; text-indent: -18.0pt; mso-list: l4 level1 lfo5; tab-stops: list 72.0pt;"><!--[if !supportLists]--><span style="font-size: 12.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol; mso-bidi-language: #00FF; mso-bidi-font-style: italic;" lang="EN-US"><span style="mso-list: Ignore;">·</span></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-ansi-language: IT; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><img src="http://www.xiulong.it/Dongba/conferences/Arras2010/web/Introduction%20to%20the%20script_file/image014.jpg" alt="" /><!--[endif]--></span><span style="font-size: 12.0pt; mso-fareast-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-font-family: TimesNewRomanPS-BoldItalicMT; mso-bidi-language: #00FF;"><span style="mso-spacerun: yes;"> </span><span lang="EN-US">iconography, associated to the reading <em>Yu</em>-<em>ma</em></span></span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"> </span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">For full work please, browse the table of contents below, or the menu on the nav-abr of the header, or again on the right frame: <span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">data, concordances and statistics here quoted </span><span lang="EN-US"><a href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/data-attestations-and-concordances/">are completely available</a></span><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US">.<a style="mso-footnote-id: ftn4;" name="_ftnref4" href="#_ftn4"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[4] </span></span></span></span></a></span></p>
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<p class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;"><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">This paper and all linked material here available in English language is recorded under a <a title="Creative Commons" href="http://creativecommons.org/">Creative Commons license</a>, here published and freely shared for academic purpouse, available to every scholar dedited to Naxi People and Culture and Dongba tradition.<br />
</span></span></span></span></span></p>
<p><a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img style="border-width: 0;" src="http://i.creativecommons.org/l/by-nc-sa/3.0/88x31.png" alt="Licenza Creative Commons" /></a><br />
<span>Créatures mythiques animales dans les manuscrits naxis</span> by <a rel="cc:attributionURL" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/">Stefano Zamblera</a> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.<br />
Based on a work at <a rel="dc:source" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/">www.xiulong.it</a>.</p>
<p class="MsoNormal"><span lang="EN-US"> </span></p>
</div>
<div style="mso-element: footnote-list;">
<p><!--[if !supportFootnotes]--></p>
<hr size="1" /><!--[endif]--></p>
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a style="mso-footnote-id: ftn1;" name="_ftn1" href="#_ftnref1"><span class="Caratteredellanota"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="Caratteredellanota"><span style="font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[1]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"><a href="http://nrs.harvard.edu/urn-3:FHCL:hyl00002"><span style="mso-tab-count: 1;"> </span>http://nrs.harvard.edu/urn-3:FHCL:hyl00002</a><span style="mso-spacerun: yes;"> </span>For a detailed description of Harvard Yenching web resource and features please, cfr.:<span style="mso-spacerun: yes;"> </span><a href="http://www.xiulong.it/4.0/Dongba/CENSUS/bycollections/HY/introHY.php">http://www.xiulong.it/4.0/Dongba/CENSUS/bycollections/HY/introHY.php</a><br />
</span></p>
<p class="MsoFootnoteText"><span lang="EN-US"><span style="mso-tab-count: 1;"> </span>For an exemple of Harvard Yenching manuscripts pertinent to the theme studied (the Ssù cult) and for crossing references with Joseph Rock manuscripts&#8217; collection please, cfr: </span></p>
<p class="MsoNormal"><span lang="EN-US"><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.htm"><span style="mso-tab-count: 1;"> </span>http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.htm</a><br />
</span></p>
</div>
<div id="ftn2" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a style="mso-footnote-id: ftn2;" name="_ftn2" href="#_ftnref2"><span class="Caratteredellanota"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="Caratteredellanota"><span style="font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[2]</span></span><!--[endif]--></span></span></span></a><span style="mso-fareast-font-family: &amp;amp;amp;" lang="EN-US"><span style="mso-tab-count: 1;"> </span>Particular attention was focused on Dongba pictographs dictionaries and monograph studies dedicated to Dongba religious tradition, with an eye especially focused on Joseph Rock and Chas McKhann works . </span><span lang="EN-US">In particular cfr.: Rock J., 1952, 1963, 1972; McKhann C., 1989, 2003c, 2003d</span></p>
</div>
<div id="ftn3" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a style="mso-footnote-id: ftn3;" name="_ftn3" href="#_ftnref3"><span class="Caratteredellanota"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="Caratteredellanota"><span style="font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[3]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"><span style="mso-tab-count: 1;"> </span>Here manuscripts are grouped in 3 clusters, just for a more comfortable layout. Data are available online:</span></p>
<p class="MsoFootnoteText"><span lang="EN-US"><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.htm"><span style="mso-tab-count: 1;"> </span>http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.htm</a><span style="mso-spacerun: yes;"> </span></span></p>
</div>
<div id="ftn4" style="mso-element: footnote;">
<p class="MsoFootnoteText"><a style="mso-footnote-id: ftn4;" name="_ftn4" href="#_ftnref4"><span class="Caratteredellanota"><span lang="EN-US"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="Caratteredellanota"><span style="font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: &amp;amp;amp; mso-font-kerning: .5pt; mso-ansi-language: EN-US; mso-fareast-language: #00FF; mso-bidi-language: AR-SA;" lang="EN-US">[4]</span></span><!--[endif]--></span></span></span></a><span lang="EN-US"><span style="mso-tab-count: 1;"> </span> <a href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/data-attestations-and-concordances/">http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/data-attestations-and-concordances/</a><br />
</span></p>
</div>
</div>
<hr />
<h2 style="padding-left: 90px;"><strong>Table of contents </strong></h2>
<ul>
<li><a title="Introduction to the script" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/introduction-to-the-script/"> Introduction to the script</a></li>
<li><a title="Iconography of reptiles deities" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/">Iconography of reptiles deities </a>
<ul>
<li><a title="The serpent deities and their cult as evinced from Dongba manuscripts" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/the-serpent-deities-and-their-cult-as-evinced-from-dongba-manuscripts/">The serpent deities and their cult as evinced from Dongba manuscripts</a>
<ul>
<li><a title="The Ssù nature and relationship with humans" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/the-serpent-deities-and-their-cult-as-evinced-from-dongba-manuscripts/the-ssu-nature-and-relationship-with-humans/">The Ssù nature and relationship with humans</a></li>
<li><a title="# A preliminary cross-study between Naxi - Dongba, Tibetan and Indian iconology of serpent-like deities" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/the-serpent-deities-and-their-cult-as-evinced-from-dongba-manuscripts/a-preliminary-cross-study/">A preliminary cross-study between Naxi &#8211; Dongba, Tibetan and Indian  iconology of serpent-like deities</a></li>
</ul>
</li>
<li><a title="Lu – Dragon" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/lu-%E2%80%93-dragon/"> Lu – Dragon</a></li>
<li><a title="Shi-Zi - Serpent" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/iconography-of-reptiles/shi-zi-serpent/">Shi-Zi &#8211; Serpent</a></li>
</ul>
</li>
<li><a title="Iconography of Eagle-winged deities " href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/eagle-winged-deities/"> Iconography of Eagle-winged deities </a>
<ul>
<li><a title="Khyu-t'khyu" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/eagle-winged-deities/khyu-tkhyu/"> Khyu-t&#8217;khyu</a></li>
<li><a title="Dter-gko" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/eagle-winged-deities/dter-gko/"> Dter-gko</a></li>
<li><a title="Yu-ma" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/creatures-mythiques-animales-dans-les-manuscrits-naxis/eagle-winged-deities/yu-ma/"> Yu-ma</a></li>
</ul>
</li>
<li> <a title="Bibliography" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/bibliography/">Bibliography</a></li>
<li>List of Naxi &#8211; Dongba manuscripts consulted</li>
</ul>
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		<item>
		<title>Bibliography for Arras 2010</title>
		<link>http://www.xiulong.it/Dongba/conferences/2010/06/14/bibliography-for-arras-2010/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/2010/06/14/bibliography-for-arras-2010/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 20:00:36 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Arras 2010]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[Naxi]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?p=335</guid>
		<description><![CDATA[After Arras 2010 colloques have been done, and the work is now focused on the writing of the acts of congress, I&#8217;m publishing the bibliography which I consulted to prepare my contribution and relative paper.
A selected bibliography focused on Naxi &#8211; Dongba and Lijiang  is however  available  online  on author&#8217;s website:

History 	of Lijiang city, [...]]]></description>
			<content:encoded><![CDATA[<p>After Arras 2010 colloques have been done, and the work is now focused on the writing of the acts of congress, <a title="Arras 2010 bibliography" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/bibliography/">I&#8217;m publishing the bibliography</a> which I consulted to prepare my contribution and relative paper.</p>
<p>A selected bibliography focused on Naxi &#8211; Dongba and Lijiang  is however  available  online  on author&#8217;s website:</p>
<ul>
<li>History 	of Lijiang city, region and Naxi  people:  	<a href="../../../4.0/Dongba/bibliography/historybibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/historybibliography.htm</a></li>
<li>Naxi 	language: <a href="../../../4.0/Dongba/bibliography/naxilanguagebibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/naxilanguagebibliography.htm</a></li>
<li>Dongba 	tradition: <a href="../../../4.0/Dongba/bibliography/dongbatraditionbibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/dongbatraditionbibliography.htm</a></li>
</ul>
<p>After official publication of the acts of the congress I&#8217;m going to upload other materials and papers derived directly or indirectly to such studies.</p>
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		<item>
		<title>Bibliography</title>
		<link>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/bibliography/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/bibliography/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 19:27:24 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[Arras]]></category>
		<category><![CDATA[Bibliography]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[Naxi]]></category>

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		<description><![CDATA[
Bibliography
Selected bibliography is available online on author&#8217;s website:

History 	of Lijiang city, region and Naxi people:  	http://www.xiulong.it/4.0/Dongba/bibliography/historybibliography.htm 
Naxi 	language: http://www.xiulong.it/4.0/Dongba/bibliography/naxilanguagebibliography.htm 
Dongba 	tradition: http://www.xiulong.it/4.0/Dongba/bibliography/dongbatraditionbibliography.htm 


Specific bibliography for Arras
AA. 	VV. “Naga tradition in ancient India” 	http://sites.google.com/site/kalyan96/NagaandNagini.pdf?attredirects=0 [ → 14/06/2010] 
AA. 	VV. “The Naga and Buddhism” 	http://www.usamyanmar.net/Buddha/Article/The%20Naga%20of%20Buddhist%20Religion.pdf [ → 14/06/2010]
AA. 	VV. “Tibetan Spirits: The Sadak” 	http://www.tibetan-astrology.net/sadak.html [ → [...]]]></description>
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<p style="text-align: center;"><strong><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bibliography</span></span></span></strong></p>
<p><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Selected bibliography is available online on author&#8217;s website:</span></span></span></p>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">History 	of Lijiang city, region and Naxi people:  	<a href="../../../4.0/Dongba/bibliography/historybibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/historybibliography.htm</a> </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Naxi 	language: <a href="../../../4.0/Dongba/bibliography/naxilanguagebibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/naxilanguagebibliography.htm</a> </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Dongba 	tradition: <a href="../../../4.0/Dongba/bibliography/dongbatraditionbibliography.htm">http://www.xiulong.it/4.0/Dongba/bibliography/dongbatraditionbibliography.htm</a> </span></span></span></li>
</ul>
<ul>
<p style="text-align: center;">Specific bibliography for Arras</p>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">AA. 	VV. “Naga tradition in ancient India” 	<span style="font-size: x-small;"><a href="http://sites.google.com/site/kalyan96/NagaandNagini.pdf?attredirects=0">http://sites.google.com/site/kalyan96/NagaandNagini.pdf?attredirects=0</a> [ → 14/06/2010] </span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">AA. 	VV. “The Naga and Buddhism” 	<span style="font-size: x-small;"><a href="http://www.usamyanmar.net/Buddha/Article/The%20Naga%20of%20Buddhist%20Religion.pdf">http://www.usamyanmar.net/Buddha/Article/The%20Naga%20of%20Buddhist%20Religion.pdf</a> [ → 14/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">AA. 	VV. “Tibetan Spirits: The Sadak” 	<a href="http://www.tibetan-astrology.net/sadak.html">http://www.tibetan-astrology.net/sadak.html</a> [ → 09/06/2010]</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">AA. 	VV., “Buddhist Iconography Identification Guide “ 	<span style="font-size: x-small;"><a href="http://www.buddhistdoor.com/BuddhistArt/LineArt_4.html">http://www.buddhistdoor.com/BuddhistArt/LineArt_4.html</a> [ → 07/06/2010] </span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">AA.VV. 	“The Garuda Purana (Saroddhara)”, in The Sacred Books of the 	Indus Translated by various Sanskrit Scholars &#8211; vol. 9, edited by 	Major B. D. Basu, I.M.S.,  published by The Panini Office, 	Bhuvaneswari Asrama, Bahadurganj, printed by Panch Kory Mittra at 	the In </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">An-Che 	Li, </span></span></span>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1947 		“Dege: A Study of Tibetan Population” in Southwestern Journal 		of Anthropology, Vol. 3, No. 4 (Winter, 1947), pp. 279-293 		Published by: University of New Mexico </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1948 		 “Bon: The Magico-Religious Belief of the Tibetan-Speaking 		Peoples” in Southwestern Journal of Anthropology, Vol. 4, No. 1 		(Spring, 1948), pp. 31-42 Published by: University of New Mexico</span></span></span></li>
</ul>
</li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Angela 	Falco Howard, 1990 “A Gilt Bronze Guanyin from the Nanzhao Kingdom 	of Yunnan: Hybrid Art from the Southwestern Frontier”, in The 	Journal of the Walters Art Gallery, Vol. 48 (1990), pp. 1-12 	Published by: The Walters Art Museum </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Anthropological 	Institute of Great Britain and Ireland by Trübner &amp; Co., 1873 	&#8220;The Journal of the Anthropological Institute of Great Britain 	and Ireland&#8221; Volume 2 </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Anukul 	Chandra Banerjee Gangtok, &#8220;Bon-The Primitive Religion of Tibet” 	<span style="font-size: x-small;"><a href="http://www.scribd.com/doc/20594161/Bot-Bon-Religion-of-Tibet">http://www.scribd.com/doc/20594161/Bot-Bon-Religion-of-Tibet</a> [ → 07/06/2010]</span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Bacot 	Jacques, </span></span></span></span>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1910 		“Correspondance”, in T&#8217;oung Pao, Second Series, Vol. 11, No. 2 		(1910), pp. 312-313 Published by: BRILL</span></span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bacot 		Jacques, 1913 “Les Mo-so. Ethnographie des Mo-so, leurs 		religions, leur langue et leur écriture” Leiden: E.J. Brill, 		1913.</span></span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Beér 	Robert</span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1999 		 &#8220;The encyclopedia of Tibetan symbols and motifs&#8221;: 		Shambhala Publications </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">2003 		 &#8220;The handbook of Tibetan Buddhist symbols&#8221; Serindia 		Publications, Inc., 2003</span></span></li>
</ul>
</li>
</ul>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bellezza 	 John Vincent,</span></span></span>
<ul>
<li><span style="color: #000000;">“<span style="font-family: Times New Roman,serif;"><span style="font-size: small;">The 		Ancient Amluets of Tibet: Thogchags, a</span></span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> collection of Miniature Masterpieces” </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="http://www.tcoletribalrugs.com/article24TibetThogchag.html">http://www.tcoletribalrugs.com/article24TibetThogchag.html</a> [→ 07/06/2010]</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">&#8220;Metal 		and Stone Vestiges, Religion, Magic and Protection in the Art of 		Ancient Tibet&#8221; </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="http://www.asianart.com/articles/vestiges/index.html">http://www.asianart.com/articles/vestiges/index.html</a> [ → 11/06/2010]</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Benedikter 	Laura, 2009 “Cadre général du Dongba : entre mythographie et 	notation phonétique” Mémoire de Master 2, Sous la direction de 	Mme Xu Dan,  Institut National des Langues et Civilisations 	Orientales</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Bezacier 	 Louis, 1961 “Attitude inhabituelle commune aux arts čam et 	viêtnamien du Dragon-makara et du Lion” in Artibus Asiae, Vol. 	24, No. 3/4 (1961), pp. 207-218 Published by: Artibus Asiae 	Publishers </span> </span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bhagavatprasad 	Natvarlal Bhatt, 1973 &#8220;Śrīkaṇṭhacaritam: a study&#8221; 	M.S. University of Baroda research series 14- University of Baroda 	(Baroda) : 45, 72 – 74</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Blondeau 	Anne Marie  “Tibetan mountain deities, their cults and 	representations” papers presented at a panel of the 7th seminar of 	the International Association for Tibetan Studies, Graz, 1995.  	Edited by Anne-Marie Blondeau, Wien 1998</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bradley 	David, 1975 “Nahsi and Proto-Burmese-Lolo”, in Linguistics of 	the Tibeto-Burman Area</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bunce 	Fredrick W., 1994 &#8220;An encyclopaedia of Buddhist deities, 	demigods, godlings, saints, and demons with special focus on 	iconographic attributes&#8221; Volume 1 &#8211; D.K. Printworld, University 	of Virginia </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Burgess, 	James, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1879 		“Notes on the Bauddha Rock Temples of Ajanta, Their Paintings and 		Sculptures,” Archaeological Survey of Western India, 9 (Bombay: 		Government Central Press, 1879). </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Burgess, 		James, 1895 “The Gandhāra Sculptures (with 100 plates)” 		London, 1895</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Carter 	Martha L., 1998 &#8220;Three Silver Vessels from Tibet&#8217;s Earliest 	Historical Era: A Preliminary Study&#8221;: 27, in Cleveland Studies 	in the History of Art, Vol. 3: 22-47 </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Chavannes 	Edouard</span></span></span></span>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1911 		“L&#8217;Inscription Funeraire de Ts&#8217;ouan Pao-Tseu: Reponse A M. 		Farjenel“, in Journal of the Royal Asiatic Society of Great 		Britain and Ireland, (Jan., 1911), pp. 75 -108 Published by Royal 		Asiatic Society of Great Britain and Ireland </span></span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1912 		“Documents historiques et géographiques relatifs a Li-kiang”, 		in T&#8217;oung Pao, Second Series, Vol. 13, No. 4 (1912), pp. 565-653 		Published by: BRILL </span></span></span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Cheng 	Chien,Cheng Chien Bhikshu, 1993&#8243;Manifestation of the Tathāgata: 	Buddahood according to the Avataṃsaka Sūtra&#8221; Wisdom 	Publications</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Choskyi 	Ven. Jampa, 1988 &#8220;Symbolism of Animals in Buddhism&#8221;, 	Buddhist Himalaya, VOL. I  NO. I <span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="http://buddhim.20m.com/1-7.htm">http://buddhim.20m.com/1-7.htm</a> [ → 11/06/2010]</span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Chung 	Tan, “A Sino-Indian Persèective for India-China Understanding”, 	in Across the Himalayan Gap  <span style="font-size: x-small;"><a href="http://ignca.nic.in/ks_41019.htm">http://ignca.nic.in/ks_41019.htm</a> [ → 09/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Conan 	Michel, &#8220;Sacred gardens and landscapes: ritual and agency&#8221;, 	published by Dumbarton Oaks Research Library and Collection, 	Washington D.C. </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Cordier 	Henri, 1908 “Les Mo-sos. Mo-sié </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">麼些”</span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">, 	 in T&#8217;oung Pao, Second Series, Vol. 9, No. 5 (1908), pp. 663-688 	Published by: BRILL </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Couteau 	Jean, &#8220;From Myth to National Symbol”  	<span style="font-size: x-small;"><a href="http://goarchi.com/archo/mag/garuda.html">http://goarchi.com/archo/mag/garuda.html</a> [ → 11/06/2010] </span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Dan 	Martin, 2001 “Unearthing Bon Treasures. Life and Contested Legacy 	of a Tibetan Scripture Revealer, with a General Bibliography of Bon” 	Brill Academic Publishers; annotated edition</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Danliélou, 	Alain, 1991 “ The Myths and Gods of India”.  Rochester, Vermont: 	Inner Traditions International, 1991; </span></span></li>
<li>
<pre><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Das Sarat Chandra, Graham Sandberg &amp; Augustus William Heyde, 1995  “A Tibetan-English dictionary, with Sanskrit synonyms. 1st Edition - Calcutta, 1902. Reprint: Sri Satguru Publications, Delhi, 1989 and Motilal Banarsidass, Delhi, 1970, 1973, 1976, 1979, 1983, 1991, 1995 and 2000. </span></span></pre>
</li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">de 	Lacouperie Terrien, 1885 “Beginnings of Writing in and around 	Tibet”, in Journal of the Royal Asiatic Society of Great Britain 	and Ireland, New Series, Vol. 17, No. 3 (Jul., 1885), pp. 415-482 	Published by: Royal Asiatic Society of Great Britain and Ireland </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">de 	Nebesky-Wojkowitz Rene, 1956 &#8220;Oracles and Demons of Tibet. The 	Cult and Iconography of the Tibetan Protective Deities&#8221;  the 	Haufe: mount &amp; Co., </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Dineschandra 	Sircar ,1971 &#8220;Studies in the religious life of ancient and 	medieval India‎&#8221; Motilal Banarsidass Publications </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Donald 	A. McKenzie, 2005 &#8220;Myths of China and Japan‎&#8221; Kessinger 	Publishing,</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">DuBose 	Hampden C., 2006 &#8220;The Dragon, Image and Demon Or the Three 	Religions of China: Confucianism, Buddhism, and Taoism&#8221; 	Kessinger Publishing, 2006</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Dutt 	M. N., 1908 “Rediscovering india the garuda Purana“ 	republished in November 12, 2006 by Hesperides Press</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Farjenel 	Fernand, 1910 “Une Inscription du Yunnan (Mission d&#8217;Ollone) 	Traduite par M. Chavannes”, inh  Journal of the Royal Asiatic 	Society of Great Britain and Ireland, (Oct., 1910), pp. 1077-1102 	Published by: Royal Asiatic Society of Great Britain and Ireland </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Fergusson 	James, 1868 “Tree and Serpent Worship. Illustrations of mythology 	and art in India in the first and fourth centuries after Christ” 	London, 1868. Cunningham&#8217;s Reports, i. and iii. (Reliefs from Buddha 	Gayā); </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Francke 	 August Hermann, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1966 		&#8220;Antiquities of Indian Tibet&#8221; Asian Educational Services. </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">New 		edition edition 1 Aug 2002</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">&#8220;gZher-Myig 		a Book of the Tibetan Bompos. Tibetan Text according to the Berlin 		Manuscript Edited and Translated by A. H. Francke&#8221; 		<a href="http://www.ihp.sinica.edu.tw/%7Easiamajor/pdf/1926/1926-321.pdf">http://www.ihp.sinica.edu.tw/~asiamajor/pdf/1926/1926-321.pdf</a> [ → 07/06/2010]</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Fredrick 	W. Bunce, 1994 &#8220;An encyclopedia of Buddhist deities, demigods, 	goblings, saints, and demons with special focus on iconographic 	attributes&#8221; Volume 1 </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">G. 	Elliot Smith , 2007 &#8220;The Evolution of the Dragon&#8221; 	BiblioBazaar, LLC </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Georgette 	Meredith, </span></span></span></span>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1967 		&#8216;The &#8220;Phurbu&#8221;: The Use and Symbolism of the Tibetan Magic 		Dagger&#8217;, in History of Religions, Vol. 6, No. 3 (Feb., 1967), pp. 		236-253 Published by: The University of Chicago Press </span> </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Georgette 		Meredith, 1967 &#8220;The &#8220;Phurbu&#8221;: The Use and Symbolism 		of the Tibetan Magic Dagger&#8221; in  History of Religions, Vol. 6, 		No. 3 (Feb., 1967), pp. 236-253; </span></span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Grünwedel 	Albert, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1893 		“Buddhistiche Kunst in Indien”, Berlin </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1900 		&#8220;Mythologie des Buddhismus in Tibet und der Mongolei&#8221;, 		Führer durch die lamaistische sammlung des fürsten E. Uchtomskij. 		1900, F. A. Brockhaus (Leipzig) : 190</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Guenther 	Herbert Von, 2001 &#8220;The jewel ornament of liberation sGam.po.pa&#8221; 	Shambhala ed, Boston &amp; London </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Gunapala 	Piyasena Malalasekera, &#8220;Encyclopedia of Buddhism” edited by 	G. P. Malalasekera, Volume 1</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Hardy 	R. Spence, 2003 &#8220;Manual of Buddhism&#8221; Kessinger Publishing, 	LLC (May 20, 2003)</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Hearn 	Maxwell, Fong Wen, 1973 &#8211; 1974 “The Arts of Ancient China”, in 	The Metropolitan Museum of Art Bulletin, New Series, Vol. 32, No. 2, 	The Arts of Ancient China (1973 &#8211; 1974), pp. 231-280 Published by: 	The Metropolitan Museum of Art </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Helmut 	Hoffman </span></span>
<ul>
<li>“<span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Quellen 		zur geschichte der Tiberischen Bön-religion”</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1961 		&#8220;The religions of Tibet&#8221; Macmillan publisher</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Himalayanart.org 	(<a href="http://www.himalayanart.org/">http://www.himalayanart.org</a>) </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">A 		Nāga King (item no. 65439) Collection of Rubin Museum of Art. 		Gently concession of Himalayanart.com 		<a href="http://www.himalayanart.org/image.cfm/65439.html">http://www.himalayanart.org/image.cfm/65439.html</a> </span></span></li>
<li><span style="font-family: Tahoma;"><span style="color: #000000;"><span style="font-family: Jomolhari;"><span style="font-size: small;">ཁྱུང་ཆེན </span></span></span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Khyung-chen,1800 		- 1899, Ground Mineral Pigment on Cotton. Collection of Rubin 		Museum of Art (acc.# F1997.51.1)</span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> &#8211; retrieved from  [20/12/2009 h.10:29] 		<a href="http://www.himalayanart.org/image.cfm/200031.html">http://www.himalayanart.org/image.cfm/200031.html</a> </span></span></li>
<li><span style="font-family: Tahoma;"><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">गरुड </span></span></span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Gāruḍa,</span></span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1900 		- 1959, Ground Mineral Pigment on Cotton &#8211; retrieved from 		[20/12/2009 h.10:29] </span></span></span><a href="http://www.himalayanart.org/image.cfm/81667.html"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">http://www.himalayanart.org/image.cfm/81667.html</span></span></a><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> </span></span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Howey 	 M. Oldfield, 2005, &#8220;The Encircled Serpent a Study of Serpent 	Symbolism in All Countries And Ages‎ &#8220;: 262 </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Hummel 	Siegber, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1960 		“Der Gottliche Schmied in Tibet” in “Folklore Studies”, 		vol. XIX(1960); 251 – 272, published by Nanzan Institute for 		religion and culture.</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1949 		“Geheimnisse tibetischer Malereien. Leipzig”, O. Harrassowitz.</span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Jackson 	Anthony, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">&#8220;Naxi 		Studies: Past, Present &amp; Future&#8221;  		<span style="font-size: x-small;"><a href="http://sunzi.lib.hku.hk/hkjo/view/35/3500177.pdf">http://sunzi.lib.hku.hk/hkjo/view/35/3500177.pdf</a> [ → 07/06/2010]</span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Code,Code,sans-serif;"><span style="font-size: small;"><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1973 		“A Na-Khi Folk-Tale”, in Folklore, Vol. 84, No. 1 (Spring, 		1973), pp. 27-37 Published by: Taylor &amp; Francis, Ltd. on behalf 		of Folklore Enterprises, Ltd. </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> </span></span></span></span></span></li>
</ul>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Jayant 	V. Narlikar, “Bhutas Some Reflections on Modern Scientific 	Concepts and Traditional Indian Thoughts&#8221;, in The Nature of 	Matter </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="http://ignca.nic.in/ps_04003.htm">http://ignca.nic.in/ps_04003.htm</a> [ → 10/06/2010]</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Johnston 	 Sir Reginald Fleming, 1986 &#8220;Lion and dragon in northern China” 	with an introduction by Pamela Atwell. Published in 1986 by Oxford 	University Press, New York; originally published in London,: J. 	Murray, 1910</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Johnston 	William M.,  2000 “sTompa gShen-rab”  in Encyclopedia of 	monasticism, Volume 1‎ &#8211; pg. 1690</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Karmay 	Samten Gyaltsen</span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1972 		&#8220;The treasury of good sayings: a Tibetan history of Bon&#8221;, 		in School of Oriental and African Studies, Volume 26, University of 		London. London Oriental Series, Oxford University Press </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Karmey 		Samten G., 1975 “A General Introduction to the History and 		Doctrines of Bon”. Memoirs of the Research Department of the 		Tokyo Bunko, No. 33. Tokyo.</span></span></li>
</ul>
</li>
<li>
<pre><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Karmay, Samten Gyeltsen, Watt Jeff, 2008  "Bon: The Magic Word The Indigenous Religion of Tibet"  Philip Wilson Publishers</span></span></pre>
</li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Keith 	Dowman,  2003 &#8220;The flight of the Gāruḍa: the Dzogchen 	tradition of Tibetan Buddhism”  second edition, compiled and 	translated by Keith Dowman. Wisdom Publications, Sommerville MA, USA</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Kern 	Hendrik, 1901 &#8220;Histoire du bouddhisme dans l&#8217;Inde&#8221; annales 	du Musée Guimet, Bibl.. d&#8217;Etudes, X et XI, Col. I: 310(295) </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Kern 	Johan Hendrik Caspar, 1896 “Manual of Buddhism” in Bühler&#8217;s 	Encyclopædia, pp. 91-96, Strasburg </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Kleeman 	Terry F., 1994 “Mountain Deities in China: The Domestication of 	the Mountain God and the Subjugation of the Margins”, IN Journal 	of the American Oriental Society, Vol. 114, No. 2 (Apr. &#8211; Jun., 	1994), pp. 226- 238 Published by: American Oriental Society </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Kloppenborg 	 Ria, Hanegraaff  Wouter J., 1995 “Female stereotypes in religious 	traditions” editions E.J. Brill, Leiden &#8211; the Nederlands</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Laufer 	 Bertrold, </span></span></span></span>
<ul>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1914 		“Bird Divination among the Tibetans (Notes on Document Pelliot 		No. 3530, with a Study of Tibetan Phonology of the Ninth Century)”, 		in T&#8217;oung Pao, Second Series, Vol. 15, No. 1 (1914), pp. 1-110 		Published by: BRILL </span></span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1914 		“Bird Divination among the Tibetans (Notes on Document Pelliot 		No. 3530, with a Study of Tibetan Phonology of the Ninth Century)”, 		in T&#8217;oung Pao, Second Series, Vol. 15, No. 1 (1914), pp. 1-110 		Published by: BRILL </span> </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">1916 		“The Nichols Mo-So Manuscript”, in Geographical Review, Vol. 1, 		No. 4 (Apr., 1916), pp. 274-285,  by: American Geographical Society </span></span></span></span></li>
</ul>
</li>
<li></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Little 	Stephen, 1992 &#8220;The Arhats in China and Tibet&#8221;: 273 in 	Artibus Asiae Vol.52 n. 3/4: 255 – 281</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Lopon 	Tenzin Namdak, 2006 &#8220;Bonpo Dzogchen Teachings according to 	Lopon Tenzin Namdak”, by Vajra Publications &#8211; Kthmandu, Nepal</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Lopon 	Tenzin Namdak, 2007 &#8220;Bonpo Dzogchen Teachings. according to 	Lopon Tenzin Namdak&#8221; intro by John Myrdhin Reynolds, Lopon 	Tenzin Namdak, edition</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Malla 	B. L., &#8220;Water Resources and their Management in Kashmir&#8221; 	in  The Cultural Dimension of Ecology  	<span style="font-size: x-small;"><a href="http://ignca.nic.in/cd_07008.htm">http://ignca.nic.in/cd_07008.htm</a> [ → 10/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Mastromattei 	Romano, 1995 “Tremore e potere: la condizione estatica nello 	Sciamanesimo Himalayano” Franco Angeli editore</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Mathieu 	C., 2003 “A History and Anthropological Study of the Ancient 	Kingdoms of the Sino-Tibetan Borderland &#8211; Naxi and Mosuo “ Mellen 	Studies in Anthropology, 11, Edwin Mellen Press </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">McKhann 	Charles Fremont</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">, </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1992 	“Fleshing out the Bones: Kinship and Cosmology in Naqxi Religion. 	Dissertation submitted to the faculty of the division of the Social 	Sciences in Candidancy for the degree of doctor of Philosophy” 	Depratment of Anthropology &#8211; Chicago, Illinois, 1992</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">McKhann 	Charles Fremont, </span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">2003 	 “Icon and Transformation: (Re)Imaginings in Dongba Art”, 	co-curated with Zhang Yunling and Yang Fuquan; presented at Whitman 	College Sheehan Galley (Jan. 17-Feb. 27), Walla Walla Carnegie 	Center for the Arts (April 1-April 30), Multnomah County Library 	Collins Gallery (May 3-June 15), University of Washington School of 	Art Jacob Lawrence Gallery (July 1-July 30).</span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Meyer 	Fernand, 1990  &#8220;Tibet: civilisation et société&#8221; Colloque 	organisé par la Fondation Singer-Polignac &#8211; Paris, les 27, 28, 29 	Avril 1987. Editions de la Fondation Singer-Polignac and Editions de 	la Maison des Sciences de l&#8217;Homme, 1990</span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Mingun 	Sayadaw. “The Kala Nāga King Story, Extract from The Chronicle of 	Gotama Buddha” 	<span style="font-size: x-small;"><a href="http://www.usamyanmar.net/Buddha/Article/The%20Naga%20of%20Buddhist%20Religion.pdf">http://www.usamyanmar.net/Buddha/Article/The%20Naga%20of%20Buddhist%20Religion.pdf</a> [ → 10/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Moor 	E., 1810 “The Hindu Pantheon” London, 1810</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Moor, 	Edward, 1976  “ The Hindu Pantheon “  Los Angeles: Philosophical 	research society, 1976; </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Morris 	R., 1891 “The Garuḍa and Other Fabulous Giant-Birds”, in 	Journal of the Royal Asiatic Society of Great Britain and Ireland, 	(Apr., 1891), pp. 344-345 Published by: Royal Asiatic Society of 	Great Britain and Ireland </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Mumford 	Stan, 1989 “Himalayan dialogue: Tibetan lamas and Gurung shamans 	in Nepal” The University of Wisconsin Press, Wisconsin</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Omacanda 	Hāṇḍā  2001 &#8220;Temple architecture of the western Himalaya: 	wooden temples‎ &#8221; Indus Publishing</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Omacanda 	Hāṇḍā 2004 &#8220;Naga cults and traditions in the western 	Himalaya&#8221; Indus Publishing </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Prabhupada 	 A. C. Bhaktivedanta Swami,  1987 &#8220;Śrīmad Bhāgavatam 	(Bhāgavata Purāṇa)&#8221;, Bhaktivedanta Book Trust</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Prabhupada 	 A. C. Bhaktivedanta Swami, 1989 “Sri Caitanya-caritamrta” </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Bhaktivedanta 	Book Trust</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Prabhupada 	 A. C. Bhaktivedanta Swami, 1992 &#8220;Mukunda-mala-stotra: The 	Prayers of King Kulasekhara&#8221; Bhaktivedanta Book Trust </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Ramble 	Charles, 1993 &#8221; A  Ritual of Political Unity in an Old Nepalese 	Kingdom. Some preliminary observations&#8221;, in Ancient Nepal 	130/133: 49-58. Kathmandu.</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Ramesan, 	N., 1961 &#8220;Glimpses of Buddhism&#8221;  Andhra Pradesh Government 	archaeological series, no. 2 Arch. series    [Hyderabad] Govt. of 	Andhra Pradesh</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Rao 	N. Lakshminarayan, Sircar D.C., 1987 &#8220;Epigraphia Indica&#8221;, 	Vol. XXX, 	(1953-54), ed., (reprint 1987) </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Reynolds 	John Myrdhin, 2005 &#8220;The oral tradition from Zhang-Zhung: an 	introduction to the Bonpo Dzogchen teachings of the oral tradition 	from Zhang-Zhung known as the Zhang-Zhung snyan-rgyud&#8221;  Vajra 	Pubications</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Rice, 	Edward., 1978  “ Eastern Definitions: A Short Encyclopedia of 	Religions of the Orient “ Garden City, New York: Doubleday, 1978; </span></span></li>
</ul>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Rock 	Joseph, 1936 “1Hä 3la = the killing of the soul”  in “Journal 	of the West china B.R. Soc.”, Vol VIII, 1936: 53 – 58; 1937 	“Na-khi  1Hä zhi p&#8217;i” in “BEFEO XXXVII”, fasc. 1 : 55.</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Rock 	Joseph, </span></span></span><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">1937a 	“The Nichols Mo-So Manuscript of the American Geographical 	Society” , in Geographical Review, Vol. 27, No. 2 (Apr., 1937), 	pp. 229-239 Published by: American Geographical Society </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Rock 	Joseph,  1937b “The Birth and Origin of Dto-mba Shi-lo, the 	Founder of the Mo-so Shamanism, According to Mo-so Manuscripts”, 	in Artibus Asiae, Vol. 7, No. 1/4 (1937), pp. 5-85 Published by: 	Artibus Asiae Publishers </span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="color: #000000;">Rockhill 	 W. Woodville, 1891 “Tibet. A Geographical, Ethnographical, and 	Historical Sketch, Derived from Chinese Sources “, in Journal of 	the Royal Asiatic Society of Great Britain and Ireland, (Jan., 	1891), pp. 1- 133 Published by: Royal Asiatic Society of Great 	Britain and Ireland </span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Sankhapāla 	Jātaka (No. 521): Alāra. in the Cariyāpitaka (ii.10; see also 	J.i.45; MA.ii.617; BuA.50) 	<a href="http://www.palikanon.com/namen/sa/sankhapala_jat_521.htm">http://www.palikanon.com/namen/sa/sankhapala_jat_521.htm</a> [→ 10/06/2010]</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Schiefner 	Anton, 1880  &#8216;Ueber das Bönpo-sutra&#8217;, St. Petersbourg. Acad. 	imperiale des sciences; </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Seaver 	Johnson Milnor, 2006 &#8220;A Comparison Between the Development of 	the Chinese Writing System and Dongba Pictographs&#8221;, in 	University of Washington Working Papers in Linguistics, vol. 24 	(2005),</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Hummel 	Segbert, 1992 &#8220;gShen&#8221; in Bulletin of Tibetology 1992 No.3, 	Sikkim Research Institute of Tibetology &#8211; Gantok, India</span></span></li>
</ul>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Sherry 	Garland, 1993 &#8220;Shadow of the dragon‎&#8221; Graphia edition, 	October 31<sup>st</sup> , 1993</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Sir 	James George Frazer, 2005 &#8220;The Golden Bough. A Study in Magic 	and Religion&#8221;. IV. Part 3. &#8220;The Dying God&#8221;, Volume 4: 	107.</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Skilton 	Andrew, 2009 &#8220;How the Nagas Were Pleased by Harsha &amp;  The 	Shattered Thighs by Bhasa&#8221;, Clay Sanskrit Library, New York 	University Press &amp; jcc fOUNDATION</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Snellgrove 	D., 1967 “The nine ways of  Bon: excerpts from gZi-Brjid” Oxford 	University Press </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Snellgrove 	David, Richardson Hugh, 1980 “A Cultural History of Tibet” 	Prajna Press, Boulder </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Stein 	 M.A.,  1899 &#8220;Ancient geography of Kashmir&#8221; in &#8220;Journal 	of the Asiatic Society of Bengal&#8221; vol.68, Part 1</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Stein 	 M.A.,  1989  &#8220;Kalhana&#8217;s Rajatarangini: A Chronicle of the 	Kings of Kashmir&#8221; </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Stephen 	Denison Peet, 1888 &#8220;The American antiquarian and oriental 	journal&#8221;, Vol. X, 1888. Jameson &amp; Morse 	Edition </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tenzin 	Pasar Tsultrim,Changru Tritsuk Namdak Nyima, Gatsa Lodroe Rabsal, 	2008 &#8220;A Lexicon of Zhangzhung and Bonpo Terms&#8221; in Bon 	Studies 11, edited by Yasuhiko Nagano and Samten G. Karmay, National 	Museum of Ethnology &#8211; Osaka </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tenzin 	Wangyal Rinpoche &#8220;Shamanism in the native Bon tradition of 	Tibet&#8221; <span style="font-size: x-small;"><a href="http://www.customjuju.com/psychic/tenzin.html">http://www.customjuju.com/psychic/tenzin.html</a> [ → 09/06/2010] </span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Thomas, 	P., 1961  “Epics, Myths and Legends of India.”  Bombay, India: 	D. B. Taraporevala Sons &amp; Co. Private Ltd, 1961. </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tonpa 	Shenrab Miwoche (sTon pa gShen rab Mi bo che)  	<span style="font-size: x-small;"><a href="http://www.yungdrung-bon.net/page/anglais/A-histoire/A-HISTOIRE1_BON.html">http://www.yungdrung-bon.net/page/anglais/A-histoire/A-HISTOIRE1_BON.html</a> [ → 09/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tucci 	G., 1949a  “Tibetan Painted Scrolls”, 3 voll., Roma, Istituto 	Poligrafico e Zecca dello Stato</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tucci 	G., 1949b “Il libro tibetano dei morti” Milano, Bocca, 1949;</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tucci 	G., 1949c “Teoria e pratica del Mandala”, Roma, Casa Editrice 	Astrolabio – Ubaldini</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tucci 	G., 1957 “Storia della filosofia indiana”, Bari, Laterza</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Tucci 	G., 1976 “Le religioni del Tibet”, Roma, Edizioni Mediterranee</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Varma 	 C.B. “Sankhapala, the Naga King” in The Illustrated Jataka &amp; 	Other Stories of the Buddha  <span style="font-family: Arial,sans-serif;"><span style="font-size: x-small;"><strong><a href="http://www.ignca.nic.in/jatak054.htm">http://www.ignca.nic.in/jatak054.htm</a> [→ 07/06/2010]</strong></span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Varma 	 C.B., “The Wisdom of Vidhura Pandita”, in  The Illustrated 	Jataka &amp; Other Stories of the Buddha   	<span style="font-size: x-small;"><a href="http://ignca.nic.in/jatak039.htm">http://ignca.nic.in/jatak039.htm</a> [ → 10/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Venkataraman 	Rama “Garuda Purana”  	<span style="font-size: x-small;"><a href="http://storiesbyrama.awardspace.com/garudapuranam.pdf">http://storiesbyrama.awardspace.com/garudapuranam.pdf</a> [ → 08/06/2010]</span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Visser 	Marinus Willem de, 1913 “The Dragon in China and Japan”,  	Verhandelingen der Koninklijke Akademie van Wetenschappen te 	Amsterdam, Muller</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Vogel 	 J. Ph., 1926 “Indian Serpent-Lore Or The Nagas In Hindu Legend 	And Art” London: Probsthain </span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Vohel 	J. Virgil, 2005 &#8220;Indian Serpent Lore Or the nagas in Hindu 	Legend and Art‎&#8221; Kessinger 	Publishing, 2005 </span></span></li>
<li><span style="color: #000000;"><span style="font-family: Code,Code,sans-serif;"><span style="font-size: small;"><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Carles 	W. R.,  1902 “The Kinsha River of West China” in The 	Geographical Journal, Vol. 19, No. 4 (Apr., 1902), pp. 518-519, 	Blackwell Publishing on behalf of The Royal Geographical Society 	(with the Institute of British Geographers) </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> </span></span></span></span></span></li>
<li><span style="color: #000000;"><span style="font-family: Code,Code,sans-serif;"><span style="font-size: small;"><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Carles 	 W. R., 1898 “The Yangtse Chiang” from The Geographical Journal, 	Vol. 12, No. 3 (Sep., 1898), pp. 225-240, Blackwell Publishing on 	behalf of The Royal Geographical Society (with the Institute of 	British Geographers) </span></span></span></span></span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Waddell 	 Laurence Austine,  1895 “The Buddhism of Tibet: Or Lamaism, with 	Its Mystic Cults, Symbolism and Mythology, and in Its Relation to 	Indian Buddhism”  Kessinger Publishing, LLC; 1895 ed edition 	(January 11, 2004)</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Wood 	Ernest and Subrahmanyam S.V., 1911 &#8220;The Garuda Purana, 	translated by Ernest Wood and S.V. Subrahmanyam&#8221;</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Zamblera 	S., </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">2009a 		“Dongba pictographic and Geba writing systems iconographic and 		thematic index plates and classification” in “THE 16th WORLD 		CONGRESS OF THE INTERNATIONAL UNION OF ANTHROPOLOGICAL AND 		ETHNOLOGICAL SCIENCES &#8211; Paper Abstracts Vol. 4 &#8211; Cultural Diversity 		in Multi-disciplinary Research”, Chinese Union of Anthropological 		and Ethnological Sciences , July 2009.</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">2009b</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"> </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="../../../4.0/Dongba/CLAUDIA/intro.php">http://www.xiulong.it/4.0/Dongba/CLAUDIA/intro.php</a> [→ 07/12/2009]</span></span></li>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: x-small;"><a href="../../../4.0/Dongba/CLAUDIA/readme.php">http://www.xiulong.it/4.0/Dongba/CLAUDIA/readme.php</a> [→ 07/12/2009]</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"> </span></span></li>
</ul>
</li>
</ul>
</li>
<li><span style="font-family: Arial Unicode MS;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">习煜华 </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Xi 	Yuhua, </span></span>
<ul>
<li><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">2002 		“</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Shu: 		Naxi Nature Goddess Archetype</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">” 		, in </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;">Gender 		Technology and Development 2002; 6; 409</span></span></li>
<li><span style="color: #000000;"><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">2004 		“</span></span></span><span style="font-family: TimesNewRomanPS-BoldItalicMT,cursive;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">东巴象形文异写字汇编 </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">Dongba 		xiang xing wen yi xie zi hui bian &#8211; A collection of Dongba 		pictographs in different forms” </span></span></span><span style="font-family: TimesNewRomanPS-BoldItalicMT,cursive;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">昆明市 </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">: </span></span></span><span style="font-family: TimesNewRomanPS-BoldItalicMT,cursive;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">云南美术出版社 </span></span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: small;"><span style="font-family: Times New Roman,serif;">Kunming 		shi : Yunnan mei shu chu ban she, 2003</span></span></span></span></li>
</ul>
</li>
</ul>
<p>﻿</p>
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		<item>
		<title>Handwritten draftnotes</title>
		<link>http://www.xiulong.it/Dongba/conferences/2010/05/21/handwritten-draftnotes/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/2010/05/21/handwritten-draftnotes/#comments</comments>
		<pubDate>Fri, 21 May 2010 11:30:45 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Arras 2010]]></category>
		<category><![CDATA[Arras]]></category>
		<category><![CDATA[Dpngba]]></category>
		<category><![CDATA[Draftnotes]]></category>
		<category><![CDATA[Naxi]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?p=307</guid>
		<description><![CDATA[A gallery of my draftnotes written while studying for Arras congress: please skip to dedicated page.
Each page is actually saved as jpg, and all are disposed in a gallery (thanks to next-gen); sooner or later I&#8217;d like to add an annotated resources on EDITION with this material encoded.
I&#8217;m going to implement the annotation of draftnotes [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_311" class="wp-caption alignleft" style="width: 222px"><a href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/handwritten-draftnotes/"><img class="size-medium wp-image-311" title="Ssu2" src="http://www.xiulong.it/Dongba/conferences/wp-content/uploads/2010/05/Ssu2-212x300.jpg" alt="Draftnotes page about the serpent-like god Ssu of Naxi - Dongba tradition" width="212" height="300" /></a><p class="wp-caption-text">Draftnotes page about the serpent-like god Ssu of Naxi - Dongba tradition</p></div>
<p>A gallery of my draftnotes written while studying for Arras congress: <a title="Handwritten draftnotes" href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/handwritten-draftnotes/">please skip to dedicated page</a>.</p>
<p>Each page is actually saved as jpg, and all are disposed in a gallery (thanks to <a href="http://wordpress.org/extend/plugins/nextgen-gallery/">next-gen</a>); sooner or later I&#8217;d like to add an annotated resources on <a title="EDITION - Texts and manuscripts digital encoding" href="../../../4.0/Edition/homeengl.htm" target="_blank">EDITION</a> with this material encoded.</p>
<p>I&#8217;m going to implement the annotation of draftnotes by <a title="The UVic Image Markup Tool Project" href="http://tapor.uvic.ca/~mholmes/image_markup/wine.php" target="_blank">IMT &#8211; Image Markup Tool</a>. Files of annotation will be stored on a section of <a title="EDITION - Texts and manuscripts digital encoding" href="http://www.xiulong.it/4.0/Edition/homeengl.htm" target="_blank">EDITION</a>, and they&#8217;ll be linked also from here, once available.</p>
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		</item>
		<item>
		<title>Handwritten draftnotes</title>
		<link>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/handwritten-draftnotes/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/handwritten-draftnotes/#comments</comments>
		<pubDate>Fri, 21 May 2010 11:28:21 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[Arras]]></category>
		<category><![CDATA[Dpngba]]></category>
		<category><![CDATA[Draftnotes]]></category>
		<category><![CDATA[Naxi]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?page_id=304</guid>
		<description><![CDATA[A gallery of my draftnotes written while studying for Arras congress.
Each page is actually saved as jpg, and all are disposed in a gallery (thanks to next-gen); sooner or later I&#8217;d like to add an annotated resources on EDITION with this material encoded.
I&#8217;m going to implement the annotation of draftnotes by IMT &#8211; Image Markup [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_311" class="wp-caption alignleft" style="width: 222px"><a href="http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/handwritten-draftnotes/"><img class="size-medium wp-image-311" title="Ssu2" src="http://www.xiulong.it/Dongba/conferences/wp-content/uploads/2010/05/Ssu2-212x300.jpg" alt="Draftnotes page about the serpent-like god Ssu of Naxi - Dongba tradition" width="212" height="300" /></a><p class="wp-caption-text">Draftnotes page about the serpent-like god Ssu of Naxi - Dongba tradition</p></div>
<p>A gallery of my draftnotes written while studying for Arras congress.</p>
<p>Each page is actually saved as jpg, and all are disposed in a gallery (thanks to <a href="http://wordpress.org/extend/plugins/nextgen-gallery/">next-gen</a>); sooner or later I&#8217;d like to add an annotated resources on <a title="EDITION - Texts and manuscripts digital encoding" href="../../../4.0/Edition/homeengl.htm" target="_blank">EDITION</a> with this material encoded.</p>
<p>I&#8217;m going to implement the annotation of draftnotes by <a title="The UVic Image Markup Tool Project" href="http://tapor.uvic.ca/~mholmes/image_markup/wine.php" target="_blank">IMT &#8211; Image Markup Tool</a>. Files of annotation will be stored on a section of <a title="EDITION - Texts and manuscripts digital encoding" href="http://www.xiulong.it/4.0/Edition/homeengl.htm" target="_blank">EDITION</a>, and they&#8217;ll be linked also from here, once available.</p>
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								<img title="Yuma3" alt="Yuma3" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Yuma3.JPG" width="100" height="75" />
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								<img title="Yuma5" alt="Yuma5" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Yuma5.JPG" width="100" height="75" />
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								<img title="Reptile-deities2" alt="Reptile-deities2" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Reptile-deities2.JPG" width="100" height="75" />
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								<img title="Ssu1" alt="Ssu1" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Ssu1.JPG" width="100" height="75" />
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								<img title="Ssu3" alt="Ssu3" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Ssu3.JPG" width="100" height="75" />
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								<img title="Ssu4" alt="Ssu4" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Ssu4.JPG" width="100" height="75" />
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								<img title="Ssu5" alt="Ssu5" src="http://www.xiulong.it/Dongba/conferences/wp-content/gallery/Appuntimanoscritti/Resized/thumbs/thumbs_Ssu5.JPG" width="100" height="75" />
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		<title>Arras 2010: data, attestations and concordances</title>
		<link>http://www.xiulong.it/Dongba/conferences/2010/03/27/arras-2010-data-attestations-and-concordances/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/2010/03/27/arras-2010-data-attestations-and-concordances/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 11:56:01 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Arras 2010]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[Chinese]]></category>
		<category><![CDATA[deities]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[gods]]></category>
		<category><![CDATA[iconographies]]></category>
		<category><![CDATA[Indian]]></category>
		<category><![CDATA[Naxi]]></category>
		<category><![CDATA[pictograph]]></category>
		<category><![CDATA[Tibetan]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?p=294</guid>
		<description><![CDATA[This resource contains all data relative to attestations I&#8217;ve made  preparing my study focused on Naxi &#8211; Dongba pictographs with animals&#8217;  based iconography and directly associated to deities, which is the theme  I&#8217;ve to develop for Arras 2010 Congress.
Among such attestations I&#8217;ve also included a  which resume and  gathers all manuscripts [...]]]></description>
			<content:encoded><![CDATA[<p>This resource contains all data relative to attestations I&#8217;ve made  preparing my study focused on Naxi &#8211; Dongba pictographs with animals&#8217;  based iconography and directly associated to deities, which is the theme  I&#8217;ve to develop for Arras 2010 Congress.</p>
<p>Among such attestations I&#8217;ve also included a  which resume and  gathers all manuscripts dedicated or related to &#8220;Serpent-cult&#8221;: such  sheet also contains a cross-reference plates among Joseph Rock and  Harvard-Yenching numeration system, with available url of  Harvard-Yenching online collection.</p>
<p>All item here listed are available as an htm page to be browsed, and  as .xls ( Excell ) and .ods ( Openoffice ) editable files.</p>
<ul>
<li><strong>ANIMAL BASED ICONOGRAPHIES PICTOGRAPHS ASSOCIATED TO DEITIES<br />
</strong></p>
<ul>
<li><a title="All Animal Gods General" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.htm" target="_blank">All pictographs with animal-based iconography, directly  associated to deities</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.xls">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.ods">.ods</a></li>
</ul>
</li>
</ul>
<ul>
<li>
<ul>
<li><strong>REPTILE BASED ICONOGRAPHY</strong>
<ul>
<li><a title="All Reptiles Gods" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.htm" target="_blank">All reptile-gods</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.xls">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.ods" target="_blank">.ods</a></li>
<li><a title="Ssù cult manuscripts" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.htm" target="_blank">Manuscripts of Ssù (serpent-gods) cult</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.xsl" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.ods" target="_blank">.ods</a>
<ul>
<li><a title="The Ssù gods" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.htm" target="_blank">The Ssù</a> (Naga) :    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.htm" target="_blank">The Lu</a> (Dragon):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.htm" target="_blank">The Shizi</a> (Serpent):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.ods" target="_blank">.ods</a></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
<ul>
<li>
<ul>
<li><strong>BIRD BASED ICONOGRAPHY</strong>
<ul>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.htm" target="_blank">All bird-gods</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.ods" target="_blank">.ods</a>
<ul>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.htm" target="_blank">The Khyu-t&#8217;khyu</a> (the Garuda):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.htm" target="_blank">The Dter-gko</a> (the Thugs-dKhar):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.htm" target="_blank">The Yu-ma</a> (the Wer-ma):   <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.ods" target="_blank">.ods</a></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
<p>Study of iconographies and contexts directly form Naxi Dongba  Manuscripts evinced many common aspects and features with Tibetan,  Indian and Chinese tradition, thus I also implemented such  cross-iconographics plates for crossing references among different  deities attested.</p>
<p>See You in Arras&#8230;</p>
<p class="facebook"><a href="http://www.facebook.com/share.php?u=http://www.xiulong.it/Dongba/conferences/2010/03/27/arras-2010-data-attestations-and-concordances/" target="_blank"><img src="http://www.xiulong.it/Dongba/conferences/wp-content/plugins/add-to-facebook-plugin/facebook_share_icon.gif" alt="Share on Facebook" title="Share on Facebook" /></a><a href="http://www.facebook.com/share.php?u=http://www.xiulong.it/Dongba/conferences/2010/03/27/arras-2010-data-attestations-and-concordances/" target="_blank" title="Share on Facebook">Share on Facebook</a></p><div style="text-align:left; margin: 0px 0px 0px 0px;" class="pfButton"><a href="http://www.xiulong.it/Dongba/conferences/2010/03/27/arras-2010-data-attestations-and-concordances/?pfstyle=wp"><img class="printfriendly" src="http://cdn.printfriendly.com/pf-button.gif" alt="PrintFriendly" /></a></div>]]></content:encoded>
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		</item>
		<item>
		<title>Data, attestations and concordances</title>
		<link>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/data-attestations-and-concordances/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident/data-attestations-and-concordances/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 11:50:33 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[animal]]></category>
		<category><![CDATA[Chinese]]></category>
		<category><![CDATA[deities]]></category>
		<category><![CDATA[Dongba]]></category>
		<category><![CDATA[gods]]></category>
		<category><![CDATA[iconographies]]></category>
		<category><![CDATA[Indian]]></category>
		<category><![CDATA[Naxi]]></category>
		<category><![CDATA[pictograph]]></category>
		<category><![CDATA[Tibetan]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?page_id=289</guid>
		<description><![CDATA[This resource contains all data relative to attestations I&#8217;ve made preparing my study focused on Naxi &#8211; Dongba pictographs with animals&#8217; based iconography and directly associated to deities, which is the theme I&#8217;ve to develop for Arras 2010 Congress.
Among such attestations I&#8217;ve also included a  which resume and gathers all manuscripts dedicated or related to [...]]]></description>
			<content:encoded><![CDATA[<p>This resource contains all data relative to attestations I&#8217;ve made preparing my study focused on Naxi &#8211; Dongba pictographs with animals&#8217; based iconography and directly associated to deities, which is the theme I&#8217;ve to develop for Arras 2010 Congress.</p>
<p>Among such attestations I&#8217;ve also included a  which resume and gathers all manuscripts dedicated or related to &#8220;Serpent-cult&#8221;: such sheet also contains a cross-reference plates among Joseph Rock and Harvard-Yenching numeration system, with available url of Harvard-Yenching online collection.</p>
<p>All item here listed are available as an htm page to be browsed, and as .xls ( Excell ) and .ods ( Openoffice ) editable files.</p>
<ul>
<li><strong>ANIMAL BASED ICONOGRAPHIES PICTOGRAPHS ASSOCIATED TO DEITIES<br />
</strong></p>
<ul>
<li><a title="All Animal Gods General" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.htm" target="_blank">All pictographs with animal-based iconography, directly associated to deities</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.xls">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AnimalGodsGeneral.ods">.ods</a></li>
</ul>
</li>
</ul>
<ul>
<li>
<ul>
<li><strong>REPTILE BASED ICONOGRAPHY</strong>
<ul>
<li><a title="All Reptiles Gods" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.htm" target="_blank">All reptile-gods</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.xls">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllReptiles.ods" target="_blank">.ods</a></li>
<li><a title="Ssù cult manuscripts" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.htm" target="_blank">Manuscripts of Ssù (serpent-gods) cult</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.xsl" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/SsuCultManuscriptsCorpus.ods" target="_blank">.ods</a>
<ul>
<li><a title="The Ssù gods" href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.htm" target="_blank">The Ssù</a> (Naga) :    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Ssu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.htm" target="_blank">The Lu</a> (Dragon):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Lu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.htm" target="_blank">The Shizi</a> (Serpent):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Shizi.ods" target="_blank">.ods</a></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
<ul>
<li>
<ul>
<li><strong>BIRD BASED ICONOGRAPHY</strong>
<ul>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.htm" target="_blank">All bird-gods</a>:    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/AllBirds.ods" target="_blank">.ods</a>
<ul>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.htm" target="_blank">The Khyu-t&#8217;khyu</a> (the Garuda):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Khyu-t%27khyu.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.htm" target="_blank">The Dter-gko</a> (the Thugs-dKhar):    <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Dtergko.ods" target="_blank">.ods</a></li>
<li><a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.htm" target="_blank">The Yu-ma</a> (the Wer-ma):   <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.xls" target="_blank">.xls</a> -  <a href="http://www.xiulong.it/Dongba/conferences/Arras2010/Attestations/Yuma.ods" target="_blank">.ods</a></li>
</ul>
</li>
</ul>
</li>
</ul>
</li>
</ul>
<p>Study of iconographies and contexts directly form Naxi Dongba Manuscripts evinced many common aspects and features with Tibetan, Indian and Chinese tradition, thus I also implemented such cross-iconographics plates for crossing references among different deities attested.</p>
<p>See You in Arras&#8230;</p>
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		<title>Analysis about the Civil Self Sphere’s Functions of Naxi in the Social Management and Social Change of Modern Lijiang</title>
		<link>http://www.xiulong.it/Dongba/conferences/2009/11/26/analysis-about-the-civil-self-sphere%e2%80%99s-functions-of-naxi-in-the-social-management-and-social-chan/</link>
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		<pubDate>Thu, 26 Nov 2009 15:59:30 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[New Horizons in Naxi Study]]></category>
		<category><![CDATA[Change]]></category>
		<category><![CDATA[Civil]]></category>
		<category><![CDATA[Functions]]></category>
		<category><![CDATA[Lijiang                                                                                                Analysis about the Civil Self Sphere’s Functions of Naxi in the Social Management and Social Chan]]></category>
		<category><![CDATA[management]]></category>
		<category><![CDATA[modern]]></category>
		<category><![CDATA[Naxi]]></category>
		<category><![CDATA[Self]]></category>
		<category><![CDATA[Social]]></category>
		<category><![CDATA[Sphere]]></category>

		<guid isPermaLink="false">http://www.xiulong.it/Dongba/conferences/?p=286</guid>
		<description><![CDATA[ Analysis about the Civil Self Sphere’s Functions of Naxi in the Social Management and Social Change of Modern Lijiang
Since the end of Qing dynasty, the civil self sphere of Naxi has played an active role in social management. The development and extension of the self sphere is a supplement of official power and help [...]]]></description>
			<content:encoded><![CDATA[<p><strong> Analysis about the Civil Self Sphere’s Functions of Naxi in the Social Management and Social Change of Modern Lijiang</strong></p>
<p>Since the end of Qing dynasty, the civil self sphere of Naxi has played an active role in social management. The development and extension of the self sphere is a supplement of official power and help to construct orders in social management; moreover, as a response to the social change, under the circumstance of disorder and threats from the abroad which China confronted, the nongovernmental power among the Naxi society actively supported and participated in the nation liberal movements and contributed to the government change between the old one and the new one. Naxi is a symbol of the minority societies in the southwest China. Through the analysis about the self sphere’s functions of Naxi in the social managemen of modern Lijiang, this paper tries to understand the modern civil societies of ethnic minorities in the front region of China.</p>
<p>The management of the official self sphere is mainly about the management of the king and the officials. The social management of the civil self sphere is mainly about the carry-out of the collective entertainment activities in the villages(e.g. Boat Race, Dragon Dance, temple fair, etc.), the construction of the public infrastructure(e.g. the building of the road and the bridge, the development of the free education or the village school, etc.), the development of the family organizations, societies and rural pacts, and so on. The conventions reflected in the festivals, life rituals, weddings and funerals, and commercial activities were also one of the basic aspect of the civil self sphere. The rituals made the</p>
<p>Rural collective entertainment activities and the construction of the public infrastructure possible and made the rural social management come into true. After the Ming and Qing Dynasties, the civil self sphere in China became more and more vital, played the role of self-government and penetrated into some parts of the common sphere. Even the convergence between the two spheres and the cohabitation between the government and the society appeared.</p>
<p>First, the “self sphere” and the “common sphere” in traditional social management.</p>
<p>In the Chinese traditional social management, there were some management areas called the “common sphere”　that both the government and the society could played roles together, such as taxation, agricultural infrastructure, education and so on;　at the same time, there were also areas called the “ self sphere”　that the government and the society played their roles respectively, including the official “self sphere” and the civil “self sphere”. The official self sphere includes the norms about the palace activities and the contacts between the officials. These norms are well-known as called “Li”.</p>
<p>Second, the active role of the civil “self sphere” of Naxi in the social management of modern Lijiang. The roles of the civil “self sphere” in social management during this period are followed:</p>
<p>1.The civil laws reflected in the festivals, life rituals, weddings and funerals, and commercial activities are conventions;</p>
<p>2.The development of the family organization, the guild organizations and cultural societies among the civil “self sphere” can play a supportive role in the government management;</p>
<p>3.The prosperity of the free education is one of the most important aspects of the development of the civil “self sphere”;</p>
<p>4.The active role of the Conghui（賩会）is also a reflection that the self-organization power of the society is strengthened.</p>
<p>Third, the nongovernmental power among the Naxi society actively supported and participated in the social change and contributed to the government change between the old one and the new one.</p>
<p>1. The civil power spreaded new ideas through the creation of newspapers and the posters;</p>
<p>2. The local progress people and patriotic intellectuals encouraged the people’s passion to defend the Japanese invasion through the societies, book-reading clubs, speeches, artist performance in schools;</p>
<p>3.　With the various progressive societies rose and the power to reform the society became stronger, a lot of “red” intellectuals and merchants appeared.</p>
<p>Upon the analysis above, we could come to the following concultions: firstly, at the end of the Qing dynasty, the civil self sphere has been fostered in the ehnic minorities’ societies of Yunnan and the Naxi society of Lijiang was in the middle stage among them. Secondly, both self sphere and common sphere did play their roles in the traditional social management. But the boundary between the two spheres was flexible. When the official power was not sufficient or weakened, the civil power would penetrate into the common sphere. When the self sphere became a supplement of the common sphere, it seemed that the self sphere extended its own scope by itself.</p>
<p>Thirdly, the conflict and the coordination between the civil self sphere and the common sphere existed. When the government supported or acquiesced the natural extension of the self sphere, it’s possible that the coordination and cohabitation between them would appear. If the civil power helped the government to govern, and even it converged with the government, the grassroots social management would be in order; if the civil power was suppressed seriously and the civil interests were ignored or eroded by the government, the grassroots social order would be broke and the crisis would appeared from the bottom of the society. When we manage the contemporary society, we should actively guide and use the power of the civil self sphere to participate the management of the local affairs belong to the common sphere and realize the coordination and cohabitation between them.</p>
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		<title>Old Resonances, New Practice &#8211; Tso Among the Naxi in Southwest China</title>
		<link>http://www.xiulong.it/Dongba/conferences/2009/11/26/old-resonances-new-practice-tso-among-the-naxi-in-southwest-china/</link>
		<comments>http://www.xiulong.it/Dongba/conferences/2009/11/26/old-resonances-new-practice-tso-among-the-naxi-in-southwest-china/#comments</comments>
		<pubDate>Thu, 26 Nov 2009 15:49:07 +0000</pubDate>
		<dc:creator>Xiulong</dc:creator>
				<category><![CDATA[Kunming 2009]]></category>
		<category><![CDATA[New Horizons in Naxi Study]]></category>
		<category><![CDATA[Naxi]]></category>
		<category><![CDATA[New Practice]]></category>
		<category><![CDATA[Old Resonances]]></category>
		<category><![CDATA[Southwest China]]></category>
		<category><![CDATA[Tso]]></category>

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		<description><![CDATA[Old Resonances, New Practice &#8211; Tso Among the Naxi in Southwest  China
Xiuyun Zhao   Lijiangmuseum
Rotating Saving and Credit Associations or Roscas are popular in many countries, especially in those developing countries. The basic principle of Roscas is that a group of people who know and trust each other contribute a fixed amount of money at [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Old Resonances, New Practice &#8211; Tso Among the Naxi in Southwest  China</strong></p>
<p>Xiuyun Zhao   Lijiangmuseum</p>
<p>Rotating Saving and Credit Associations or Roscas are popular in many countries, especially in those developing countries. The basic principle of Roscas is that a group of people who know and trust each other contribute a fixed amount of money at regular intervals to a fund. This fund is rotated entirely among the members of the group. The main purpose of organizing Roscas is to give financial support among the members while they have difficulties. There is also a similar association named tso which is popular among the Naxi in Southwest China. However, tso among modern Naxi, instead of its financial function, has already transformed into a kind of social organization where members could be entertained. In other words, the original financial function of tso is not as important as it was to the local people. People’s motivation to engage in tso is “just for fun” or “to be entertained” as most of local people said. In this paper, the author aims to put tso in a specific historical structure starts from Republic China to Modern China to analyse why this happened through the perspective of historical anthropology as well as the tool of gender. The paper will make a conclusion that tso’s change is resulted from the economic development after China implemented a series of political and economic reforms. Simultaneously, the author also mentions that although present tso among the Naxi has a very important function of  “being entertained”  as most participants said,  the “social capital” related to tso practice is another reason for the popularity of tso among the Naxi.</p>
<p>The society of tradition in the management in China has the officer people all can give play to the management domain of effect, if taxes spread out and levy and start construction the water conservancy, initiate education etc., and is called &#8221; altogether land within certain boundaries &#8220;; Also there are at the same time the officer people respectively to develop the domain which managed oneself, and are called &#8221; from land within certain boundaries &#8220;, &#8221; from land within certain boundaries &#8221; the certainly land within certain boundaries &#8221; with among the people that this includes official again. The official includes palace activity standard and government officials&#8217;s contact standard, usual &#8221; ceremony &#8221; speaking from land within certain boundaries, and oneself land within certain boundaries of official is managed chiefly to show into the management to monarch and government officials. Among the people and the clan organisation the development and Hui organized body and local rules and regulations valid for all the inhabitants of a township organisation Huo Yues etc, among the people Zi the land within certain boundaries still Bao Kuos the four seasons and the eight periods and the life ceremony and the wed funerals marriage as well as the trade matter Huo Dong etc the appointment among the people becomes social custom the habit prevailing custom.</p>
<p>1. since the modern times, the operating space that the beautiful river Naxi nationality district society among the people kept bigger, physical strength among the people in the society management certainly the land within certain boundaries domain is positively promising, the society among the people is brisk, and the society certainly organisation ability strengthens, makes the beautiful river Naxi nationality basic level society management appears relatively has the order state.</p>
<p>On the other hand, since the Republic of China, the differentiation of various politics physical strength is made up frequently the politics upheavel the acute change of society, and outside political physical strength is opposite to each other to loosen to directing control of Naxi nationality district. Along with the development of Naxi nationality district society economy, small-scale peasant economy is grown ripening, the popularization of civilization education, as well as the tradition of Naxi nationality community autonomy, the oneself operating space that the society among the people can keep bigger. The society hastens in many unitizations, and the intermediate strata is expanded, and becomes the complicated society that carries on that can undertake many kinds of society functions of role stablize physical strength, and among the people managing the domain to opposite to each other to prolong oneself, arousing the society vigour, oneself strengthens the organisation ability in the society. Is being so, and is making in the society upheavel after the Republic of China of beautiful river Naxi nationality society, even in the outside society political physical strength frequently in the differentiation combination, beautiful Jiang Zhengfu under Kuomintang political power is dominant is close to in is paralysed or the corruption, and having lost the management controlling under the circumstances of the ability of society, the physical strength of dependence society among the people relies on society middle-level harmonious and keeps balance and conformity and control, Naxi nationality society relative stable ground development still and keeping with going on. The management function of many governments is taken on by the society among the people.</p>
<p>This chiefly shows in the development of urban and rural clan organisation, and the private or community stands like a forest, and, 賩(chong)  can be prospered, and the guild organisations such as chamber of commerce etc build, and the civilization mass organizations also enliven very much, thus in the weak district that the official controlled, is positively giving play to the function that the society managed.</p>
<p>2. since the modern times, Naxi nationality district society among the people enlivens, and the society is from strengthening of organisation ability, and it is that the beautiful river Naxi nationality district of modern times realizes one of important society condition of society revolution changes smoothly that the revolution organisation rises.</p>
<p>On the foundation that is being brisk in the society among the people, the dark owing to the national government is rotten fully to be known by people, and the popular feelings deviates, and the secret Party organizition of Chinese Party Dian, Yinnan Province west relies on just physical strength of self to intermediary and later stage in the 40&#8217;s, the good certainly organisation ability of Naxi nationality urban and rural is used, and the propaganda takes the mass organizations such as meeting and organized body etc as the open-minded revolution and to opposing the foundation struggling against. At beautiful Jiang Zujian the beautiful river Party branch of the Chinese Party, developed the peripheral organization of party &#8221; Yunnan peasant take a stand against meeting &#8221; and &#8221; democratic youth alliance of China &#8221; built like masses of the people night school, literacy class and brother&#8217;s meeting, reading meeting, elder and younger sisters&#8217;s meeting and busy season exchanges labour mass organizations such as group and reading meeting and singing team etc on this foundation, and still built the beautiful river staff and workers federation in intellectual and the peasant of beautiful river, and arouses to raise that the masses come to understand, and carries on the revolution struggle. These are all liberated and establish the good social base for the peace of beautiful river. Is that we cultivate the good citizen society today and the foundation to build the harmonious society</p>
<p>3. developing the beautiful river Naxi nationality district physical strength among the people tradition positively promising in the society management.</p>
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