{"id":355,"date":"2010-07-20T14:45:30","date_gmt":"2010-07-20T12:45:30","guid":{"rendered":"http:\/\/www.xiulong.it\/Dongba\/conferences\/?page_id=355"},"modified":"2010-07-20T14:45:30","modified_gmt":"2010-07-20T12:45:30","slug":"introduction-to-the-script","status":"publish","type":"page","link":"https:\/\/www.xiulong.it\/Dongba\/les-signes-danimaux-et-de-creatures-mythiques-en-orient-et-en-occident\/creatures-mythiques-animales-dans-les-manuscrits-naxis\/introduction-to-the-script\/","title":{"rendered":"Introduction to the script"},"content":{"rendered":"

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Naxi is one of the 55 official ethnic group of China, depositary of Dongba tradition, result of local shamanistic practices, stratified with B\u00f6n pre-buddhist substratum, melted to Buddhist, Indy, Taoist and Confucian elements. Written documents of Dongba tradition and ceremonials are realized on <\/span>manuscripts, mostly written by pictographic signs, which contains all rituals, precepts and myths.<\/span><\/p>\n

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<\/span>According to such literature and tradition, all animated and in-animated beings are manifestation and home of supernatural entities who live in equilibrium and coexistence. In\u00a0 this peculiar vision of universe, the relationship that humans must have with any element of the creation, has to be grounded on veneration and respects of relative supernatural sphere, so man must practices propitiatory rituals before interacting with any element of surrounding setting: digging a hole on the ground, hunting animals, cutting trees, etc…, in this tradition are all activities which have to be propitiated in respect to tutelary spirits. <\/span><\/p>\n

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<\/span>Dongba priests are the specialists able to perform proper ceremonies suited for each situation, also to restore eventually unbalances of equilibrium between humans’ and spirits’ world. The latter is represented into manuscripts as a variegate pantheon of deities, and among such crowds of supernatural beings, sources documented 2 main sets of gods, respectively associated to a reptile-based and to a bird-based iconography, both with many subclasses, variants and interaction with other signs.<\/span><\/p>\n

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<\/span>Context of manuscripts documenting myths and rituals associated to a kind of cult dedicated to prosperity, long life, evicting of demons and illness, which is as peculiar to Naxi people, as it could be related to a wider religious mythological stream, diffused in Tibetan, Indian and Chinese traditions.<\/span><\/p>\n

<\/span>Texts of manuscripts, iconographies, detailed study of signs of animals associated to supernatural entities documented:<\/span><\/p>\n

\u00b7<\/span><\/span>Ss\u00f9 \u2013 serpent cult<\/span><\/strong>. Based of the veneration of the serpent-tailed and human-body spirits, a life-god entity. Propitiated for granting prosperity and fertility, closely associated to rain and water, able to provoke terrible misfortunes if got hungry with humans. In this study it’s directly related to the traditions of kLu<\/em> in Tibet, <\/span>N\u0101ga<\/em>
\nin India and Long<\/em> in China<\/span><\/p>\n

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\u00b7<\/span><\/span>Bird-god cult<\/span><\/strong>. Bird deities are powerful, strong, able to suppress the serpents-spirits and devour them. Able to spell charms, allied to Shilo <\/em>the founder of Dongba tradition. In this study the bird-gods of Naxi \u2013 Dongba pantheon are associated to mythologies of Khyung<\/em>–chen<\/em> of Tibet and Garuda<\/em> of India.<\/span><\/p>\n

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\u00b7<\/span><\/span>Serpent vs. Eagle fight myth<\/span><\/strong>, here directly related to the mythologies of kLu versus Khyung-chen of Tibet and Naga versus Garuda of India<\/span><\/p>\n

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As emerged from manuscripts and according to Naxi tradition, the central figure of Dongba<\/em> Shilo<\/em> is here looked not just as the founder of Dongba religion, but as directly related to the Enlightened Buddha sTompa gShen-rab<\/em> of <\/span>B\u00f6n tradition.<\/span><\/p>\n

Methodology of research<\/span><\/strong><\/p>\n

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According to the theme of the <\/span>colloque<\/span>, the methodology of study adopted by author mostly consisted in the research of signs from documents, as the signs are pictographs which were made of an animal-based graphic unit, directly relate to deities. Once they’ve been found the study of the functions of signs ad of the context was the way followed: <\/span>identification of readings and meanings associated to pertinent signs, alias the research of the signs’ phonetic and semantic values, the identification and the interpretation of iconographic motifs associated to the pertinent sign. <\/span><\/p>\n

Then the study of the context, which here is meant as the study of the signs which surrounding the pertinent one in an adjacent part of text (mostly the rubric containing the pertinent pictograph), as the research of eventual relationship with surrounding signs in adjacent parts of text for the identification of eventual association patterns among signs,.<\/span><\/p>\n

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Once sign was identified as pertinent, alias study of the sign and its contexts evinced that by this significant a deity was meant, then a deeper analysis started focused on the detailed study of the iconography represented by the sign and its
\nvariants, the reconstruction of iconologies, also with the help of cross-studies focused on related (but non necessary Naxi) cultural, iconographic and iconologic elements; this methodology permitted to the author some integrations with non Naxi \u2013 Dongba directly related documentation, as Indian, Tibetan and Chinese.<\/span><\/p>\n

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First stage of study, which consisted in the identification of pertinent signs, was performed by <\/span>the analysis of available sources which contains attestations of pictographs with an animal-based graphic unit. Nature of available sources evinced the possibility of making use of two kind of attestations: direct and indirect attestations.<\/span><\/p>\n