Comet Pons-Brooks passing by C27, 13 January 2024.
Comet starless integrations by subframes in LRGB 60″, 3 x each filter. Star integration from RGB.
C27 and surrounding starless layer in Ha Oiii and Hbeta, 180sec subframes, from 2023 spring-summer several sessions; cfr. https://www.astrobin.com/dqa6po/C/
Very hard but completely stocked within this processing; mosaic is obtained by 4 different kind of imaging, at different binning. BIN2 mosaic in LRGB consisted in 3 framing. one for the comet head, another framing for the middle comet tail, third framing for distal part of comet tail.
Bin1 Luminance set finally integrated within mosaic.
Final star & starless integration in Photoshop, with numerous adjustement layers and pixel fixing needed.
This incredible beautiful set of data from IRSA / ZTF retrieval system https://irsa.ipac.caltech.edu/frontpage/ allows me to a second post-production attempt focused about Neowise comet of 2020.
I still cannot get rid of comet registration alignment by PixInSight, thus just played a hand allineation or R(zr) G(zg) and B(zi) channels in photohop of comet starless image, and then adding stars as new layer in “screen” blending mode. After some research about Palomar 48 inches Samuel Oschin Schmidt telescope and ZTF camera I found here : https://www.ztf.caltech.edu/ztf-camera.html
Apart of aesthetic results, what is important is that if pixinsight works in annotation after platesolving, I hypothesize it could works also in comet registration after a proper platesolving of single channels masterframe; I’m going to try asap.
PixInSight had some problem in platesolving because of peculiar fits header, thus also was impossible to perform image registration > comet registration. I thus worked just by star registration of the few subframes and then play an image integration for each filter: I assigned R channel to zr filter, G to zg and B to zi even I suspect other choose may be taken. After that I made starless and star version for each channel and integrate in pixinsight the starry master, and in photoshop the starless master handly stacking rgb comet.
I finally played some photoshop tricks for pixel fixing, framing, dust lanes enhancing, etc… I would like a more wider field of view for a next attempt, but I confess to me is simply exciting and so so funny to make post-production over these enormous scientific quality data from such powerful instruments! As when I play with JWST or Hubble data (cfr. https://mast.stsci.edu/portal/Mashup/Clients/Mast/Portal.html ) I’m simply totally stoked! Thanks again to Taras!!!